the technological encoding of human speech (compression, glitches, artificial synthesis).
physical transformations of concrete physical models of speech-producing apparatus
physical transformations of algorithmic and electrical models of vocalisations
transformations of movements of air, light, crystal and particles under vocalising breath and utterances
changes of state (steam, freezing, condensings) provoked by energetic processes within and outside these apparatus
“throats” moulded in earth or clay and washed down, eroded, or crystallised, placed in a stream
If I had the wherewithal I'd have asked one of those friends to write about it -- it's outside my wheelhouse, these days, but anytime I've heard Howse's work described, it's very compelling (no idea what it sounds like, though!). Just going to go to the performance on Saturday! PWYC sliding scale...
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